The Surreal Renaissance: Tim Heidecker and Eric Wareheim Take Cannes by Storm
For two decades, the names Tim Heidecker and Eric Wareheim have been synonymous with the vanguard of American surrealist comedy. From their humble beginnings as students at Temple University to the fractured, psychotropic landscape of Adult Swim’s Tim…
The Radical Resonance of Valerie Solanas: Mary Harron on the 4K Restoration of I Shot Andy Warhol
Before she masterfully dissected the hollowed-out consumerism of the 1980s in American Psycho (2000), filmmaker Mary Harron turned her lens toward a different, more jagged brand of New York pathology. Her 1996 debut feature, I Shot Andy Warhol, remains a…
Bridging the Industry Gap: The Gotham Unveils its 2026 EDU Career Development Cohort
In a decisive move to cultivate the next generation of creative leadership, The Gotham Film & Media Institute—the publisher of Filmmaker—has officially announced the 2026 cohort for its flagship career development initiative: The Gotham EDU Film and…
The Primetime Emmy Showdown: A Volatile Race in a Fractured Media Landscape
The Television Academy faces a monumental task this September. With the 76th Primetime Emmy Awards ceremony scheduled for September 14, the industry is bracing for what is arguably the most politically charged and logistically complex awards cycle in the…
Beneath the Backlot: Cine Gear Expo 2026 and the Resilient Spirit of Hollywood Cinematography
In the ever-evolving landscape of motion picture technology, trade shows often serve as bellwethers for the industry’s collective anxiety. While the massive NAB Show in Las Vegas frequently triggers a sense of existential dread—forcing attendees to…
Cannes 2026: A Quiet Revolution in the Shadow of Skepticism
The 79th Cannes Film Festival concluded with a prevailing narrative among the international press corps: a "ho-hum" edition devoid of singular, consensus-shattering masterpieces. Yet, this dismissive refrain served only to obscure a more…
The Monster in the Mirror: Adrian Chiarella’s Leviticus and the Resurrection of Queer Horror
In the landscape of modern independent cinema, few genres possess the visceral, transformative power of horror to articulate the anxieties of the marginalized. With his debut feature, Leviticus (2026), Australian filmmaker Adrian Chiarella has crafted a…
The Last Hurrah of the World’s Most Beloved Knuckleheads: An Intimate Look at the End of the Jackass Era
For over two decades, the Jackass franchise has served as the definitive, albeit chaotic, mirror of American masculinity. It is a world of self-inflicted wounds, high-speed collisions, and the kind of juvenile camaraderie that usually evaporates by the…
The Spoof Returns: How the Wayans Dynasty Reclaimed Their Legacy with Scary Movie (2026)
The release of the latest Scary Movie installment in the summer of 2026 serves as more than just a cinematic homecoming; it is a tactical reclamation of intellectual property and a scathing indictment of Hollywood’s treatment of Black creators. Pointedly…
From Classroom to Red Carpet: How The Los Angeles Film School is Shaping the Future of Entertainment
In an era where the barrier to entry for content creation has never been lower, the disparity between "content creator" and "industry professional" has never been wider. While smartphones and accessible editing software have…
