The Provocation of Paul Schrader: Unpacking the Polarizing "The Basics of Philosophy"
Paul Schrader has spent the better part of five decades interrogating the human condition through the lens of the "man in a room"—a lonely, often self-flagellating figure grappling with existential dread, religious trauma, and the crushing…
The Desperate Calculus of Survival: Rami Kodeih’s ‘Furies’ Captures the Raw Nerve of Beirut’s Collapse
In the spring of 2022, the city of Beirut was a powder keg waiting for a spark. Three years into a catastrophic economic implosion that saw the Lebanese Lira lose nearly all of its value and the banking sector lock citizens out of their own life savings,…
The Erasure of Memory: Rafael Manuel’s Filipiñana and the Architecture of Colonial Indifference
Editor’s note: This review was originally published on January 23, 2026, following the film’s debut at the 2026 Sundance Film Festival. The film is set to open at New York City’s Film Forum on Friday, August 28, with a wider theatrical expansion to…
The Mirror of Madness: Werner Herzog’s ‘Bucking Fastard’ Defies Logic at Venice
At the 2026 Venice Film Festival, amidst a slate of high-minded dramas and prestige biopics, one film arrived like a bolt of lightning in a stagnant room: Werner Herzog’s Bucking Fastard. A fever dream of Irish pastoral life, existential obsession, and…
The Architect of Subjectivity: Robert Greene’s "Too Much Sugar" Challenges the Boundaries of Cinematic Truth
In the landscape of modern documentary filmmaking, few directors possess the intellectual rigor and empathetic dexterity of Robert Greene. Known for his meta-cinematic inquiries into the nature of performance and identity, Greene has spent his career…
The Paradox of Justice: Elegance Bratton’s By Any Means Reimagines a Dark Chapter of American History
In the annals of the American Civil Rights Movement, few figures stand as tall—or as tragically silenced—as Vernon Dahmer. A self-made businessman, community pillar, and unwavering advocate for voting rights in Hattiesburg, Mississippi, Dahmer’s life was…
The Moral Decay of Empire: Martin McDonagh’s Wild Horse Nine
In the canon of Martin McDonagh, the line between the profoundly tragic and the aggressively absurd has always been porous. From the blood-soaked confessionals of In Bruges to the quiet, existential isolation of The Banshees of Inisherin, McDonagh has…
The Vertigo of Grief: Inside the High-Stakes Production of ‘Everest: The Other Side’
In the rarefied, oxygen-deprived air of the documentary film world, few names carry as much weight as Jimmy Chin and Elizabeth Chai Vasarhelyi. Having redefined the genre with Oscar-winning explorations of human limit like Free Solo and Meru, the pair…
The Chaotic Odyssey of "Idiots": Macon Blair’s Latest Is a Wild, Uneven Ride
Editor’s Note: This review was originally published on January 25, 2026, during the 2026 Sundance Film Festival, when the film was titled "The Shitheads." The Independent Film Company will release the film in theaters on Friday, August 28,…
Echoes of the Red Planet: An In-Depth Analysis of Lili Horvát’s ‘My Notes On Mars’
The intersection of domestic fragility and cosmic mystery has long been a fertile ground for auteur cinema. From Andrei Tarkovsky’s Solaris to Claire Denis’s High Life, the vastness of space often serves as a mirror for the impenetrable depths of the…
