The Enduring Resonance of ‘Hadestown’: From Vermont Workshop to Global Cinematic Event
When Hadestown first premiered at Broadway’s Walter Kerr Theater in April 2019, the cultural climate was, to put it mildly, volatile. Almost every review of the production highlighted the uncanny, almost haunting resonance of its Act One closer,…
Boldly Into the Absurd: Why ‘Star Trek: Strange New Worlds’ Season 4 Remains the Franchise’s North Star
Midway through the raucous, genre-bending fourth season of Star Trek: Strange New Worlds, a frustrated guest aboard the U.S.S. Enterprise finally voices the sentiment that has been simmering in the background of the series for years. Surrounded by a crew…
A Collision of Hearts and History: Cyril Aris’s A Sad and Beautiful World Explores Love Amidst Lebanon’s Perennial Conflict
In the cinematic landscape, few locales are as fraught with the intersection of beauty and trauma as Lebanon. It is a nation where the specter of civil unrest has lingered for over half a century, transforming the mundane into the miraculous and the…
The Predator Within: Wiebke von Carolsfeld’s "Someone’s Daughter" Deconstructs the Ethics of Survival
In the vast, verdant expanse of Quebec’s Eastern Townships, director Wiebke von Carolsfeld has crafted a film that functions less as a traditional survival thriller and more as a claustrophobic, moral autopsy. Her latest feature, Someone’s Daughter,…
The Beautiful Rot: Inside the Unsettling World of Karim Aïnouz’s ‘Rosebush Pruning’
Editor’s Note: This review was originally published during the 2026 Berlin Film Festival. Mubi releases "Rosebush Pruning" in select theaters starting Friday, July 24. In the landscape of contemporary cinema, few directors possess the visual…
The Persistence of the Propane Dream: Why ‘King of the Hill’ Survives the Revival Era
Early in Season 15 of King of the Hill—or, for those keeping a meticulous tally of the streaming age, the second installment of Hulu’s ambitious revival—Hank Hill finds himself engaged in a battle as ancient as his love for Arlen, Texas. Hank ventures to…
The Horror of Ambition: How ‘Big Break’ Turns Hollywood’s Industry Anxiety into Absurdist Farce
For many artists navigating the labyrinthine corridors of Hollywood, the dream of "making it" acts as an ever-present, haunting metronome. It is an infinite ticking clock that measures one’s viability in a town that equates youth with currency…
Growing Pains: Why ‘Avatar Aang: The Last Airbender’ Struggles to Capture the Original Magic
When "Avatar: The Last Airbender" premiered in 2005, it didn’t just introduce a generation to a meticulously crafted fantasy world; it redefined the potential of Western animation. Through its blend of East-Asian-inspired world-building,…
The Death of Style: Why Nicolas Winding Refn’s ‘Her Private Hell’ Is a Cinematic Catastrophe
Editor’s Note: This review was originally published during the 2026 Cannes Film Festival. Neon releases “Her Private Hell” in select theaters on July 24. “Her Private Hell”? More like our public misery. If, for David Lynch, ideas are like fish in a…
The Architecture of Memory: Ross McElwee’s ‘Remake’ and the Ethics of the First-Person Lens
Editor’s Note: This review was originally published during the 2025 Venice Film Festival. Music Box Films releases “Remake” in U.S. theaters starting Friday, July 10. Long before the video diary became the en vogue format of personal expression on…
