Cinematic Resilience: Amartei Armar’s ‘Our Time Will Come’ and the New Wave of Ghanaian Social Realism
Main Facts: A Bold Debut at the Intersection of Dickens and Accra The global cinematic landscape has recently turned its gaze toward West Africa, not merely as a backdrop for international productions, but as a powerhouse of indigenous storytelling. At…
Domestic Dystopia: Analyzing Louis Leterrier’s ‘The Last House’ and the New Wave of Post-Pandemic Sci-Fi
The cinematic landscape has long been obsessed with the end of the world, ranging from the explosive planetary collisions of Michael Bay to the quiet, desolate roads of The Road. However, a new entry into the genre, Louis Leterrier’s The Last House,…
Chasing the Ghost of James Baldwin: Yashaddai Owens’ ‘Jimmy’ and the New Wave of Impressionistic Biopics
In a 2024 interview with The Guardian, actor and Broadway icon Billy Porter posed a rhetorical question that resonated deeply within the halls of Black queer cinema: “If not me, who?” Porter was discussing his ambitious plans to direct and star in a…
Shadows in the Sun: Aung Phyoe’s ‘Fruit Gathering’ and the New Wave of Myanmar’s Queer Cinema
The landscape of contemporary world cinema is often defined by the voices that manage to break through the silence of censorship and systemic oppression. At the Karlovy Vary International Film Festival, a new and vital dispatch arrived from a region…
