The Archive as Resistance: Lana Daher’s Do You Love Me and the Mapping of Lebanese Memory
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In the absence of a unified national archive, how does a nation remember itself? For Beirut-based multidisciplinary artist Lana Daher, the answer lies in the fragments—the discarded home movies, the grainy newsreels, the snippets of independent cinema,…
Echoes of a Shattered Mirror: Lana Daher’s Do You Love Me and the Architecture of Lebanese Memory
In the landscape of contemporary documentary filmmaking, few projects capture the visceral, fragmented reality of national identity as poignantly as Lana Daher’s debut feature, Do You Love Me (2026). A kaleidoscopic 76-minute journey through seven…
