The Sound of the Abyss: Ari Balouzian Scores Nathan Fielder and Lance Oppenheim’s ‘You Can See Everything’
In the landscape of modern documentary filmmaking, few subjects have captured the public imagination—and the public’s ire—quite like Elizabeth Holmes. As the disgraced founder of Theranos continues to occupy a space between reality and cautionary tale,…
The Archivist’s Abyss: Inside the Compulsive Cinematic Mystery of ‘Chronovisor’
Watching a character sit alone at a desk, methodically turning pages or staring at a flickering screen, is rarely the stuff of high-octane cinema. Yet, the directorial debut from Jack Auen and Kevin Walker, Chronovisor, transforms this sedentary,…
The Wile E. Coyote Survival Story: How ‘Coyote vs. Acme’ Escaped the Corporate Abyss
It is a delicious, if slightly bitter, irony that Dave Green’s Coyote vs. Acme—a film about a scrappy, underdog protagonist taking on a monolithic, profit-obsessed corporation—nearly became the very thing it satirizes. After years of development…
Descent Into the Abyss: Nine Inch Nails Commemorates 30 Years of ‘Quake’ with Industrial-Grade Collection
It has been three decades since the gothic, brutalist corridors of Quake first flickered onto CRT monitors, effectively redefining the trajectory of the first-person shooter genre. To mark this monumental milestone, Nine Inch Nails—the driving force…
Into the Luminous Abyss: Dark Sky Films Unveils Chilling Trailer for ‘Blood Shine’
By Editorial Staff July 29, 2026 The landscape of independent horror is about to get significantly more blinding. Dark Sky Films has officially pulled back the curtain on the trailer for Blood Shine, the sophomore feature from the creative powerhouse duo…
The Logic of the Abyss: Kiyoshi Kurosawa’s "The Samurai and the Prisoner" Examined
Editor’s Note: This review was originally published during the 2026 Cannes Film Festival. Janus Films releases "The Samurai and the Prisoner" in theaters on Friday, July 31. In the landscape of modern cinema, few filmmakers have managed to…