Fear, Faith, and the Flesh: Adrian Chiarella’s Leviticus Reclaims Queer Horror
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In the landscape of modern cinema, few genres possess the visceral, transformative power of horror—a medium that has long served as a safe harbor for the marginalized to project their deepest anxieties onto the screen. With his debut feature film…
Shadows in the Sun: Aung Phyoe’s ‘Fruit Gathering’ and the New Wave of Myanmar’s Queer Cinema
The landscape of contemporary world cinema is often defined by the voices that manage to break through the silence of censorship and systemic oppression. At the Karlovy Vary International Film Festival, a new and vital dispatch arrived from a region…
