The Echoes of Erasure: Marie Clements’ ‘How We Stand’ Confronts the Violent Legacy of Displacement
In her latest cinematic endeavor, How We Stand, writer-director Marie Clements delivers a haunting, generational meditation on the structural violence inflicted upon Indigenous peoples in North America. Following the critical acclaim of her previous…
The Erasure of Memory: Rafael Manuel’s Filipiñana and the Architecture of Colonial Indifference
Editor’s note: This review was originally published on January 23, 2026, following the film’s debut at the 2026 Sundance Film Festival. The film is set to open at New York City’s Film Forum on Friday, August 28, with a wider theatrical expansion to…
The Architecture of Erasure: Rafael Manuel’s Filipiñana Exposes the Colonial Ghost in the Machine
Editor’s note: This review was originally published on January 23, 2026, following its premiere at the 2026 Sundance Film Festival. The film is set to open at NYC’s Film Forum on Friday, August 28, with a wider theatrical expansion to follow. In the…
The Digital Void: Harrison Atkins’ ‘Sour Minnows’ and the Erasure of the Human Soul
In the flickering light of a Los Angeles living room, the evening news broadcasts a headline that feels simultaneously momentous and hollow: "HOLLYWOOD HEARTACHE: DEATH OF AN ENIGMA." The subject is Jojo “Vacation” Monica, an eccentric…
