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Box Office Reports

Box Office Blues: ‘Practical Magic 2’ Conjures a Lukewarm Debut as Industry Slump Continues

By Reynand Wu
September 13, 2026 5 Min Read
0

The cinematic landscape this weekend was defined by the arrival of a long-awaited supernatural sequel, but for Warner Bros., the spell appears to have failed to fully enchant the masses. Practical Magic 2, the highly anticipated follow-up to the 1998 cult classic, arrived at the top of the North American box office, yet its debut figures suggest that nostalgia alone cannot guarantee a blockbuster windfall in today’s volatile theatrical climate.

The Main Event: A Disappointing Homecoming

Despite securing the No. 1 spot, Practical Magic 2 fell short of industry expectations. The film earned $30 million from 4,146 North American theaters—a figure that, while respectable for a mid-budget drama, feels underwhelming given the significant intellectual property behind it. The international picture was even bleaker, with the fantasy sequel pulling in just $16 million across 77 markets, resulting in a global opening weekend of $46 million.

When adjusting for inflation, the sequel’s performance mirrors the 1998 original, which launched to $13 million (roughly $27 million today). While the first film eventually achieved legendary status as a cult favorite, Warner Bros. does not have the luxury of waiting decades for this iteration to find its footing. With a production budget of $75 million—excluding substantial global marketing expenditures—the studio is under immense pressure to see a rebound. Analysts suggest that the film’s financial viability remains on a knife’s edge, as theater owners typically retain approximately 50% of ticket sales, leaving the studio with a long road to profitability.

Critical Reception vs. Audience Sentiment

The divide between critics and ticket buyers is stark. Practical Magic 2 currently holds a dismal 36% approval rating on Rotten Tomatoes, signaling that the film failed to impress reviewers who were perhaps expecting more narrative depth or a fresher take on the Owens family curse.

Conversely, CinemaScore exit polls suggest that audiences were far more receptive, bestowing the film with a "B+" grade. However, the demographic breakdown reveals a potential problem for the film’s longevity: the audience consisted largely of older women who grew up with the 1998 original. The film appears to have struggled significantly in attracting the younger, Gen-Z demographic that is essential for long-term box office success.

Directed by Susanne Bier, the sequel picks up 25 years later, following the daughters of Sally (Sandra Bullock) and Gillian (Nicole Kidman) as they navigate the family’s supernatural lineage and attempt to break the curse that has plagued their ancestors for generations. While the return of original cast members like Dianne Wiest and Stockard Channing, paired with the addition of rising stars Joey King and Maisie Williams, was intended to bridge the generational gap, it appears the "magic" was felt most acutely by those who already had a connection to the franchise.

The Broader Industry Context: A Summer of Misfires

The tepid performance of Practical Magic 2 arrives at a particularly sensitive time for Warner Bros. The studio is currently weathering a difficult streak, having faced a series of recent misfires, including the lackluster performance of the summer tentpole The End of Oak Street, the underwhelming Supergirl, and the spring release The Bride!.

This string of underperforming projects has cast a shadow over the studio’s upcoming slate, specifically the Tom Cruise-led comedy Digger. Slated for an October release, Digger carries a heavy price tag of $130 million, and the studio can ill afford another domestic slump.

The weekend’s overall performance was down 43% compared to the same frame in 2025, a period that saw the surprise massive success of Sony and Crunchyroll’s Demon Slayer: Infinity Castle, which dominated with $70.6 million. Paul Dergarabedian, Rentrak’s head of marketplace trends, characterized the current moment as "solid, if somewhat subdued."

"This weekend is less about one movie dominating the conversation and more about several films contributing to the overall marketplace," Dergarabedian noted, emphasizing that the industry is currently relying on a collective effort rather than singular "event" films to keep the lights on in theaters.

Chronology of the Top Ten

The weekend saw a changing of the guard at the top of the charts, as Practical Magic 2 ended the staggering six-week reign of Spider-Man: Brand New Day.

  1. Practical Magic 2: $30M (New Release)
  2. Spider-Man: Brand New Day: $8.6M (Seventh Weekend)
  3. The Odyssey: $8.1M (Ninth Weekend)
  4. Coyote vs. Acme: $6.3M (Third Weekend)
  5. Runner: $6M (New Release)
  6. Hope: $3.3M (New Release)
  7. The Uprising: $3.25M (New Release)
  8. Oasis: Don’t Look Back in Anger: $1.5M (New Release)

The Titans and the Underdogs

While Practical Magic 2 took the crown, the most significant story in the industry remains the historic run of Sony’s Spider-Man: Brand New Day. Slipping to No. 2, the comic book epic has now generated an astonishing $935 million domestically and $2.4 billion globally. By Monday, the film is expected to surpass the lifetime domestic gross of 2015’s Star Wars: The Force Awakens ($936 million), cementing its place as the highest-grossing domestic release in history.

Meanwhile, Christopher Nolan’s The Odyssey continues its own record-breaking journey. With an additional $8.1 million this weekend, the film has reached $601 million domestically and $1.68 billion worldwide, officially becoming the highest-grossing release in Universal Pictures’ history, outpacing the previous benchmark set by Jurassic World.

In a strange twist of industry irony, the indie-distributed Coyote vs. Acme—which was famously shelved by Warner Bros. as a tax write-off—continues to perform well. Holding the fourth spot with $6.3 million, the film has now amassed $47.8 million domestically, proving that there was indeed an audience for the project that the studio originally deemed expendable.

New Arrivals and Niche Successes

Several other newcomers struggled to make an impact. Runner, an action-comedy from Angel Studios, secured the fifth spot with $6 million. Despite lukewarm critical reviews, it resonated with audiences, earning an "A-" CinemaScore, suggesting a potential for word-of-mouth growth.

Conversely, the period drama The Uprising, starring Andrew Garfield, failed to find its audience. Directed by Paul Greengrass, the film earned only $3.25 million, reflecting a "B-" CinemaScore that suggests limited potential for future growth.

In limited release, Neon’s South Korean sci-fi thriller Hope made a strong impression, landing at No. 7 with $3.3 million. Having already proven its mettle in South Korea with $36.2 million, its early U.S. success highlights the growing domestic appetite for international genre-bending cinema.

Lastly, Disney’s music documentary Oasis: Don’t Look Back in Anger arrived to a rapturous reception at the Venice Film Festival but failed to convert that prestige into box office gold. Opening in 11th place with $1.5 million domestically, the film—which captures the much-hyped reunion of the Gallagher brothers—is clearly being positioned as a niche event for fans rather than a broad-appeal cinematic draw.

Implications for the Future

The state of the box office as we head into the final quarter of the year is clear: the "event film" model that previously sustained the industry is becoming increasingly fragmented. Studios are finding that established IP, while helpful, is no longer a surefire path to profitability.

For Warner Bros., the performance of Practical Magic 2 serves as a cautionary tale. If a film carrying the weight of a beloved brand and two A-list stars can barely scrape by a lukewarm opening, the market is signaling a shift. Audiences are becoming increasingly selective, and the gap between a "hit" and a "miss" is widening. Whether the studio can recover with the upcoming release of Digger will likely be the defining question of the next quarter. Until then, the industry remains in a period of stabilization, awaiting the next true phenomenon that can bring the crowds back in numbers rivaling the giants of 2025.

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