The Moral Decay of Empire: Martin McDonagh’s Wild Horse Nine
In the canon of Martin McDonagh, the line between the profoundly tragic and the aggressively absurd has always been porous. From the blood-soaked confessionals of In Bruges to the quiet, existential isolation of The Banshees of Inisherin, McDonagh has…
The Vertigo of Grief: Inside the High-Stakes Production of ‘Everest: The Other Side’
In the rarefied, oxygen-deprived air of the documentary film world, few names carry as much weight as Jimmy Chin and Elizabeth Chai Vasarhelyi. Having redefined the genre with Oscar-winning explorations of human limit like Free Solo and Meru, the pair…
The Chaotic Odyssey of "Idiots": Macon Blair’s Latest Is a Wild, Uneven Ride
Editor’s Note: This review was originally published on January 25, 2026, during the 2026 Sundance Film Festival, when the film was titled "The Shitheads." The Independent Film Company will release the film in theaters on Friday, August 28,…
The Ink-Stained Path to Populism: Danny Boyle’s Audacious New Parable
Danny Boyle has never been a director known for restraint. From the kinetic, heroin-fueled highs of Trainspotting to the visceral, post-apocalyptic dread of 28 Days Later, Boyle has consistently utilized an aggressive visual language to interrogate the…
The Archivist’s Abyss: Inside the Compulsive Cinematic Mystery of ‘Chronovisor’
Watching a character sit alone at a desk, methodically turning pages or staring at a flickering screen, is rarely the stuff of high-octane cinema. Yet, the directorial debut from Jack Auen and Kevin Walker, Chronovisor, transforms this sedentary,…
The Silent Skies of "The Dog Stars": Ridley Scott’s Latest Effort Struggles to Find Altitude
In the expansive, storied career of Ridley Scott—a filmmaker whose name is synonymous with the visceral world-building of Alien, the epic scope of Gladiator, and the meticulous historical tension of The Last Duel—his 30th feature film, The Dog Stars,…
The Curse, The Craft, and The Heretic: Unpacking David Kittredge’s ‘Boorman and the Devil’
Editor’s note: This review was originally published on October 24, 2025, following its premiere at the 2025 Brooklyn Horror Film Festival. Yellow Veil Pictures will release the film at NYC’s Quad Cinema on Friday, August 28, with a national expansion to…
The Mumblecore Evolution: Why Joe Swanberg’s ‘The Sun Never Sets’ is a Masterclass in Modern Ambivalence
By Editorial Staff In the landscape of contemporary American independent cinema, few directors have charted a trajectory as intimate and recognizable as Joe Swanberg. From the lo-fi, hand-held aesthetics of the early "mumblecore" movement to…
The Nightmare in the Playroom: Casper Kelly’s ‘Buddy’ Is a Meta-Horror Masterpiece
By [Your Name/Journalism Desk] In the annals of subversive television and experimental cinema, few names carry as much weight—or as much delightful dread—as Casper Kelly. Since the 2014 viral phenomenon "Too Many Cooks," which deconstructed the…
The VHS Nightmare: Adam Wingard’s ‘Onslaught’ Blends Retro Grit with Modern Paranoia
Adam Wingard’s Onslaught feels less like a contemporary film and more like a long-lost artifact discovered in the dust-caked backroom of a shuttered 1980s video rental store. Set in a version of the present day that feels eerily disconnected from our…
